16 November 2004
Programme director, distinguished guests, filmmakers, all protocol
observed, ladies and gentlemen.
It is once again, that time of the year when the world of film
converges in Cape Town, for both the World Cinema Festival and the
Sithengi Film and Television Market, to celebrate the progress of
the South African film.
This event has indeed become a major event on the national calendar
and has grown in leaps and bounds as a forum where the world
transacts with South Africa and the region.
May I on behalf of our nation, the Department of Arts and Culture
and the Government of the Republic of South Africa, take this
opportunity to give heartfelt thanks to the Board, the management
and staff of Sithengi, the City of Cape Town, the Province of the
Western Cape, the National film and Video Foundation, the SABC, and
all those who have made and continue to make this very special event
a success.
I also take this opportunity to welcome all our international
guests, some of whom we have already entered into film co production
and cooperation agreements with and some we are still in the process
of forging strong relations. I extend a special warm welcome to
representatives of the governments of Germany, Italy, Nigeria,
Brazil, Canada and the United Kingdom.
In 1996, DACST (Department of Arts, Culture, Science and Technology)
published the Film Development Strategy which resulted in the
formation of the National Film and Video Foundation (NFVF), a
statutory institution that derives its authority from The National
Film and Video foundation Act No. 73 of 1997 and whose main
objectives as defined in the Act in that act as:
- To develop, promote the film and video industry
- To provide and to encourage the provision of, opportunities
for persons, especially from disadvantaged communities to get
involved in the film and video industry.
- To encourage the development and distribution of local film
and video products.
- To support the nurturing and development of and access to
the film and
video industry,
- In respect of the film and video industry, to address
historical imbalances in infrastructure and distribution of
skills and resources
As government, we have over the past years galvanised consensus
about the direction for South Africa to address the cross-cutting
strategic issues in the film sector. Evidence of our commitment to
the further development of this sector is beginning to show through
various initiatives at the national, provincial and municipal
spheres of our country.
The collaboration between the Department of Arts and Culture, the
Department of Communication and the Department of Trade and
Industry, the National Film and Video Foundation and the South
African Revenue Services to formulate the South African Content
Industries Strategy must be commended for two reasons. Firstly, this
has resulted in a strategy that the National Cabinet approved in
December 2003. Secondly, that the effort was a great lesson on
intergovernmental collaboration.
The Department of Trade and Industry should be congratulated for the
recently launched Film and Television Incentive Scheme to promote
productions in South Africa. The SABC should be congratulated for
the initiatives on the content hub and for striving to meet local
content quotas.
The Industrial Development Corporation should be congratulated for
capitalising various productions. There is no doubt that their
efforts shall have a positive rub on effect on the commercial
financial sector. The Provincial Governments should be congratulated
for the initiatives that will create in time regional film and video
competencies.
Last year at this festival, the Premier of the Western Cape, Mr.
Ibrahim Rasool, announced the Provincial initiative to establish the
Film City. Earlier this year the Gauteng Province called for the
Gauteng Film Indaba to set sight on the future development and
growth of the film sector. The KwaZulu-Natal Provincial Government
commissioned the feasibility study on establishing the KZN Film
Commission. I understand that plans are underway to set up such a
Commission.
To integrate the national film initiatives into one body of
information, the NFVF has set up the Sectoral Aggregate Measures and
Data Bank. We shall launch this programme in due course. Let me take
this opportunity again to thank Statistic South Africa, the Human
Sciences Research Council and all those who contributed in making
this project a success. Most of all I want to congratulate all those
organisations and individuals who have responded to our industry
survey.
Although we were satisfied with the findings of the industry survey,
we are concerned at the low response rate. Only 92 of a possible
group of over 1000 companies and individuals responded to our
survey. It is critical that we obtain reliable and up to date
information from the sector if we are to achieve our objectives. We
cannot approach government for more funding for the sector if we
cannot provide accurate figures on the state of our film industry.
Policy development requires valid data that can produce performance
indictors and other indices on the health of the sector, and where
support is required. This is critical if as a sector, we want to
speak to government with one voice. Already the Department of Arts
and Culture and the NFVF have made great strides in working with
industry organisations to obtain research data from their membership
base. We hope that this collaboration will improve as we publish the
results of such efforts.
On the continental and international fronts, the Department of Arts
and Culture is making steady progress in putting South Africa on the
global map of the film industry. The Department collaborates with
NFVF to integrate film into the New Economic Partnership and
Development (NEPAD), cultural programmes. We hope that as the NEPAD
initiatives emerge, the film business between the African countries
will grow. I hope that the Cape Town World Cinema Festival and
FESPACO will be important catalysts and premier forums to address
the African opportunities and challenges.
We are this year excited to host the Secretary-General of FEPACI,
Mr. Jacque Behanzin to discuss the request by FEPACI for South
Africa’s hosting of the Africa Film Summit. The Department of Arts
and Culture and the NFVF have in principle agreed to this request.
We hope this initiative will assist in bringing African Filmmakers
together to engage towards the development of a common policy for
film and craft a strategy that will inform NEPAD and the African
Union.
At the Symposium for Broadcasters on International Development
convened in June 14-15 2004 by the World Bank and Silverdocs
International Documentary Conference to addresses the international
trends in the emerging creative industry sector in developing
countries, the NFVF highlighted the imbalances in the international
flows in cultural goods and services. This brings me to the
instrumental value of co-production treaties to encourage trade at
the global scale and to redistribute the wealth created.
We are proud of the progress made in the area of co-production
treaties and the strengthening of relations with our counterparts in
Europe and North America through Memoranda of Understanding. In the
next few days, we will be signing a treaty with Germany. We are
witnessing the results of the co-production treaties with Canada and
Italy, and a number of projects are being realised out of these
instruments. I would like to make special mention of the Letter of
Intent for co-operation with the Film Institute of Sweden and the
Memoranda of Understanding with the CNC of France and the National
Film Development Corporation of India. I hope the occasion on how to
bring the intent into reality will take place at this occasion. In
addition we to these, we hope that our discussion with the
delegation from the Nigerian Ministry of Information and the
delegation from Brazil, will also result in co-operation between our
respective countries.
The challenge for all of us in respect of the co production treaties
is that they should be the instruments for the broad based
empowerment for all those who would like to earn their living from
film, particularly those individuals and communities who were denied
opportunities by Apartheid.
We are cognisant of the restructuring processes that are underway in
the Sector Education and Training Authorities, (SETA) and in
particular the Media, Advertising, Publishing, Printing and
Packaging SETA (MAPPP-SETA). The structure and the dynamics of the
film industry are such that the filmmakers are yet to derive
benefits from the Skills Levies, programmes and instruments. I hope
that the restructuring processes will assist in interrogating and
addressing the challenges in a frank and constructive manner. In
collaboration with the NFVF, we have taken an active role to ensure
that more resources are channelled into the film industry for skills
development as part of this restructuring.
At this year’s festival and market, the National Department of Arts
and Culture will host a forum of Provincial Ministers of Arts and
Culture, to discuss the role that the provinces can play in the
development of film. As usual the NFVF will be making its annual
presentation to the industry. During this presentation, they will be
discussing the updated procedures for funding and will also use the
occasion to release for the first time the results of the NFVF
Industry Survey. The South African Revenue Services who will be
launching the guide for taxation as it relates to film. There will
also be presentations by the Department of Trade and Industry on the
film incentives as well as the Department of Arts and Culture’s
presentation on Legal Deposit of our National Archives Law.
I would like to in conclusion congratulate all our local filmmakers
whose films were over the past year showcased and recognized at some
of the most prestigious international film festivals and markets.
The unprecedented number of local films such as Forgiveness, Drum,
Yesterday, Zulu love Letter and Red Dust is proof that our local
filmmakers are now acknowledged as viable partners for international
productions and co-productions and that in our tenth year of
freedom, we indeed have reason to celebrate the achievements of the
South African film industry.
I reaffirm my ministry’s support for the film industry. I wish all
of you a success in your dealings over the next few days and further
success for the future.
Thank You.
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